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Item:Truly, Madly, Deeply (DVD 2002)alan rickman /vgc/reg 2
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Truly, Madly, Deeply (DVD 2002)alan rickman /vgc/reg 2

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Ended:15 Nov, 200920:04:43 GMT
Bid history:20 bids
Winning bid:£31.00
Postage:FREE P&P Royal Mail 2nd Class StandardSee more services 

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Other item info
Item number:360206042321
Item location:canvey island, Essex, United Kingdom
Post to:Worldwide
Last updated on 20:09:03 GMT, 08 Nov, 2009 View all revisions
Item specifics - DVDs
Leading Role: Alan Rickman, Bill Paterson, Juliet Stevenson, Michael MaloneyRelease Year: 2002
Director: Anthony MinghellaRunning Time: 102 min.
DVD/ Blu-Ray/ HD-DVD: DVDEAN: 5050070007602
Region: Region 2: EuropeRating: UK:PG
Display Format: --Genre: Drama
Condition: -- Romantic
Boxed Set: --  
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Detailed item info
Description
When Nina loses her boyfriend Jamie she continues to wish for his return. When his ghost appears in her flat it's almost as if he's never been away... at least for a while. Suddenly she realises that living with her lover's ghost isn't what she really wants after all...

Credits
Producer:Anthony Minghella
Score Composer:Barrington Pheloung

Portions of this page Copyright 1948-2009 Muze Inc. and Muze Europe Ltd. All rights reserved.
 all original
exact same as in the stock photo
all in vgc
disc/sleeve/box have no marks or scratches on them.

i accept cheques/postal orders/paypal
uk P&P free
europe £3
do not ask for a buy it now price , whatever it sells for at the auction end is the price.

Anthony Minghella's beautifully conceptualized debut demonstrates the isolating effects of grief and the regenerative powers of romantic fulfillment as a means of transcending from within the drudgery of life's repressive routine.

In an early scene we see Nina, whose lover died an indeterminate period of time ago, sobbing inconsolably, trying to explain the bottomless grief she's feeling to her vaguely incompetent psychiatrist. Her face fills the frame, her features twisted, moisture heavy on her skin. The camera remains unwaveringly fixed on her throughout this harrowing outburst, never cutting away to offer relief—she's physically and emotionally isolated, her grief abstracted.

Such a scene is emblematic of Minghella's strategy in these first several reels. We are provided small hints of the tragedy from concerned acquaintances, but the lack of prosaic flashbacks, of the kind of visual inserts that conventionally accord shorthand empathy, similarly isolates us from her longing, leaving us wholly dependent upon Juliet Stevenson to convey the depths of Nina's despair. In order for this conceptual risk to pay off, an inordinate trust is required between director, audience and especially performer, and Stevenson is equal to the task. It's a commanding performance in which all character-building affectation is forsaken for a series of moments in which she is starkly present, dictating the pace, making us captive to her every move. In this manner, the film ceases to be an artifact of self-fulfillment on which we write the rules, but becomes a living thing that dictates the rules to us.

From this place of disconnection arrives a providential revelation, which I will not reveal, that changes the context of our identification with Nina and extends to her the promise of fulfillment. Between these two extreme states—longing and jubilation—can be found the heart of the story and a gloriously multi-toned narrative, a colorful gallery of nuanced eccentrics, and a perfect, heartbreaking ending.


00085
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Item location: canvey island, Essex, United Kingdom
Dispatches to: Worldwide
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