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.::
NEW PANASONIC LUMIX DMC-G1 DIGITAL
CAMERA (BLACK) ::.
LUMIX G VARIO
14-45
mm f/3.5-5.6 ASPH Mega OIS LENS KIT |
+4GB SD MEMORY CARD
 |
LUMIX DMC-G1
BLACK
12.1-megapixel Live MOS sensor
Ultra compact Digital Interchangeable Lens
Camera
Full-time Live View and
Contrast AF
3" 460,000-dot LCD
Shake Detection--MEGA O.I.S.(Optical Image
Stabilizer)
Intelligent ISO Control
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With the G1, Panasonic has developed an entirely
new-concept digital camera that takes even greater advantage of the compactness
and light weight inherent in the Four Thirds System Standard. By increasing the
number of electrical contacts between camera body and lens, Panasonic has also
increased camera expandability and maximized the future potential of the G1,
including compatibility with future features. In addition, the versatile G1
accepts not only Micro Four Thirds System interchangeable lenses, but also
conventional Four Thirds System lenses (when an optional adapter is mounted).
This means that users can continue to use Four Thirds lenses they already own.
The G1 is the world's first camera to employ the new Micro Four Thirds System
standard. Together with an innovative mirror-less structure that also
dramatically downsizes the camera body, the LUMIX G Micro System achieves a
dramatic portability and ease of use by an adoption of electronic Full-time Live
View Finder instead of conventional optical viewfinder. Despite the G1's
ultra-compact design, it comes fully equipped with features that assure
outstanding ease of use, made possible by the contrast AF system. The G1 also
boasts iA (Intelligent Auto) mode, a feature that took the world by storm in
Lumix digital compact cameras. iA mode brings together a full range of functions
- led by AF Tracking , Face Detection, Intelligent ISO Control and Intelligent
Exposure - that together let users take strikingly beautiful photos with maximum
ease every time they shoot. The G1 breaks new ground in styling too, overturning
SLR camera conventions by giving users a variety of body colors to choose from.
For people who have been hesitant about moving up to an SLR camera, the G1 is a
perfect fit. It is a small, sophisticated, easy-to-use camera that will greatly
expand any user's photographic capabilities.
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The G1's Live MOS sensor gives users the benefits of Full-time Live View both
when viewing the Free-Angle LCD and when looking through the viewfinder. Other
new conveniences made possible by the contrast AF include 1-area-focusing, AF
Tracking, and a preview functions that show the photographer how changing the
shutter speed (and other settings) will affect the photograph. The large
3.0-inch free-angle LCD, with its 100 percent field of view and sharp
460,000-dot resolution, lets the photographer check even fine details when
composing an image or viewing a shot just taken.
Behind the G1's exceptional image quality is a 4/3-type 12.1-megapixel Live MOS
sensor that boasts a wide dynamic range and low power consumption, plus
Panasonic's new Venus Engine HD imaging processor, with its superb noise
reduction performance and expandability represented by HDMI output capability.
Because dust entering the body is a concern with all interchangeable lens
cameras, Panasonic equipped the G1 with a Supersonic Wave Filter as part of a
Dust Reduction System designed to prevent dust and other foreign matter from
adhering to the image sensor.
In addition to accepting Micro Four Thirds lenses, the G1 can be fitted with a
mount adapter that allows the use of standard Four Thirds lenses. This greatly
expands the assortment of lenses available to users. They can choose lenses from
a variety of manufacturers and in a variety of combinations, for virtually
unlimited photographic capabilities. A wide range of special accessories is
available too. The G1 also is equipped with a mini HDMI output terminal for easy
connection with other AV devices. With features like these, the G1 gives users a
host of photographic and entertainment possibilities to explore.
The stylish Lumix DMC-G1 is an entirely new kind of digital camera with an
unprecedented feature set. Especially for people who have never before used an
interchangeable lens camera, and for those who have tried one but didn't find it
comfortable, the easy-to-use G1 can open the door to a world of fun, beauty and
unlimited creative possibilities.
Panasonic Lumix DMC-G1 Highlights
Ultra compact Digital Interchangeable Lens Camera: Made Possible by the Micro
Four Thirds System Standard
With the G1, Panasonic introduces an innovative mirror-less structure that
dramatically downsizes the camera body. The G1 is far more compact than
conventional SLR camera on the market, thanks in large part to the Micro Four
Thirds System, a new standard for interchangeable lens cameras. This new system
has made it possible to reduce the flange back distance (between the mount and
the image sensor) to approx. 20 mm--half the 40 mm specified in the Four Thirds
System. The outside diameter of the mount is also reduced, by about 6 mm.
The Micro Four Thirds System makes it possible to downsize not only the camera
body, but the lenses too--particularly wide-angle lenses and high-power zoom
lenses--while maintaining the superior image quality characteristic of the 4/3
image sensor. The G1's ground-breaking structural design forever dispels the
notion that an interchangeable lens camera has to be big and heavy--a drawback
that's deterred many people from switching to an digital SLR. Even with its
generous 3.0-inch LCD, the G1 is extremely compact--and there is absolutely no
compromise in function or performance.
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| Size comparison: G1 vs.
L10 |
Another attractive feature that separates the G1
from conventional digital SLR cameras is the choice of body colors. While
traditionalists can choose the standard black body, others will enjoy the
appealing blue and red colors available. With its exceptional mobility and
features, the G1 offers a new style of photography; with its design and color
selection, it offers a new sense of camera style.
Full-time Live View and Contrast AF
With the G1 users enjoy the advantages of Full-time Live View not only when
viewing the LCD, but when using the electronic viewfinder too. The G1's
viewfinder system retains the outstanding viewability of an optical viewfinder
and can also display information about camera settings that the user can see
without taking his or her eye from the subject. This is one of the ways
Full-time Live View uses digital technology to give the photographer useful new
features and functions. In addition to a mirror-less structure, the G1 features
a high-resolution 1,440,000-dot equivalent Live View Finder.
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| |
A clever built-in eye sensor automatically
switches on the viewfinder when the user looks into it, then switches it off and
turns on the 3.0-inch high-resolution 460,000-dot LCD (which boasts a wide
viewing angle) when the user looks away from the viewfinder. The
60-frames-per-second Live View is made possible by the Live MOS sensor, which
takes signals directly from the image sensor and sends them continuously to the
LCD, in real time. You can use either auto focus or manual focus while using the
Full-time Live View.
Both the Live View Finder and LCD provide a 100 percent field of view. This
allows the user, when composing a shot, to check the framing accurately from
corner to corner.
The G1 introduces a new Contrast AF function that is not only accurate and easy
to use, but also very fast. Users can choose from a wide range of AF modes,
including multiple-area AF with up to 23 focus areas, 1-area AF with a
selectable focus area, Face Detection, and AF Tracking. In the 1-area AF mode,
the AF frame size can be changed by simply turning a dial. The G1 also has a
Quick AF function that begins focusing as soon as the user aims the camera--no
waiting for him or her to press the shutter button halfway. This provides a
quicker focusing that can help capture the subject before the crucial moment
passes. Continuous AF keeps the subject in focus at all times. With the G1's
many auto focus modes, there's an option that's just right for any shooting
situation.
High-resolution Live View Finder and Free-angle 3-inch 3:2 460,000-dot LCD
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| |
A large, clear, easy-to-see LCD, that rotates 180
degrees horizontally and 270 degrees vertically is upgraded both in size and
resolution to be 3.0-inch with 460,000-dot high resolution to offer even more
comfortable view for both monitoring when shooting and for playing back the
results. Extraordinary 3:2 aspect of the LCD on DMC-G1 is familiar to those who
are used to analog film cameras. The G1 is designed for easy viewing, no matter
where your photographic pursuits take you. When the lighting around you changes,
the LCD changes too. The Auto Power LCD function automatically boosts brightness
by as much as 40 percent, depending on the shooting condition. The LCD monitor
remains easy to see at all times. This helps make framing a shot with Full-time
Live View even easier.
The DMC-G1's Live View Finder has the large 1.4x (0.7x on 35mm equiv.)
magnification and the 100-percent field of view as the optical viewfinders on
high-end digital SLR cameras. This, plus the 1,440,000-dot equivalent
resolution, makes it easy to shoot the exact image the camera sees.
Surprisingly, when you look into the viewfinder, a sensor automatically turns
the Live View Finder on and the LCD off. You enjoy smoother, easier shooting
without having to switch the setting of display.
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| Sure and easy framing in
real time with approximately 100 percent field of view
|
In addition, customize the camera to fit your
shooting preference by changing the display style or switching to a full-screen
display. The user enjoys a seamless 60fps Live View both on the LCD and LVF. The
G1's Live View Finder, which is based on a field sequential system that uses RGB
3-independent sequential illumination to produce 180 fps for each of the three
colors, gives the user a clear, natural and comfortable view when framing a
shot. The LCD can swivel 180 degrees horizontally and 270 degrees vertically,
giving the user the flexibility to take low-angle and high-angle shots easily
and comfortably. The DMC-G1 also features the Quick Menu, so you can make a
variety of settings without taking your eye from the Live View Finder.
Great Photography Is Not Only from Professional Photographers
Anymore--Intelligent Auto Mode
When you don't know which mode will give you the best shooting results, or when
a sudden photo opportunity pops up and you don't have time to make any settings,
simply choose iA (Intelligent Auto) mode and let the camera do it all for you.
This advanced mode includes MEGA O.I.S. to detect hand-shake, Intelligent ISO
Control to detect subject movement, Face Detection to detect faces in the frame,
Intelligent Scene Selector to detect scene conditions, Light Detection to detect
the brightness level, and AF Tracking to continually track a moving subject and
keep it in focus. These six functions work automatically and simultaneously in
iA Mode to optimize your settings, making it easier than ever to take beautiful
photos every time.
Shake Detection--MEGA O.I.S.(Optical Image Stabilizer) MEGA O.I.S.,
implemented in the lens, compensates for the blurring caused by hand-shake. Even
slight hand-shake movement is accurately detected by a sampling frequency of
4,000 times per second, and compensated to produce sharp, clear images. It also
works for zoom shots and macro shots, which are especially susceptible to
hand-shake, and lets you shoot in dimly lit rooms or evening illumination,
without a flash, to preserve the mood.
Motion Detection--Intelligent ISO Control The Intelligent ISO Control
function detects subject movement and automatically adjusts the ISO setting and
shutter speed to best suit the movement and light conditions. When it detects
subject motion, it automatically raises the ISO setting and increases the
shutter speed to prevent motion blur. On the other hand, when the subject is
still and no movement is detected, it takes beautifully natural photos with a
low ISO setting. Intelligent ISO Control gives you stunning images with ease
because there is no need for complicated settings.
Light Detection--Intelligent Exposure The Intelligent Exposure function
increases the exposure only in under-exposed areas by detecting the brightness
level part-by-part in the picture. If the background includes the sky, which
tends to be easily washed out, the camera automatically adjusts the aperture and
shutter speed to keep the setting slightly under-exposed to prevent wash-out
while brightening the darkened area by increasing the ISO only in that area. If
the background of an indoor portrait receives insufficient lighting from a flash
and becomes dark, the ISO sensitivity is raised in only the low-lit area to make
it brighter without causing graininess in the subject's face. When Intelligent
Exposure is turned on, the icon changes from white to yellow. In addition, you
can adjust the effect in three levels in normal shooting mode: high, normal, and
low.
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| Face Detection AF/AE
|
Face Detection--Face Detection AF/AE The
Face Detection function detects faces and automatically optimizes the focus and
exposure settings. It prevents the blurry faces that happen when the camera
focuses on something in front of or behind the subject, and keeps faces from
appearing dark when shooting indoors or against the light source. It detects up
to 15 faces at a time, making it extremely convenient for group photos. Once the
camera detects a face, Face Tracking follows it even when the subject moves
around. This makes it easy to capture the person's face quickly if he or she is
moving. It is also equipped with Digital Red-eye Correction. The camera takes
care of the red-eye effect that often happens when shooting with a flash, to
ensure attractive facial expression always.
Scene Detection - Intelligent Scene Selector When the camera's in iA
(Intelligent Auto) Mode, the Intelligent Scene Selector automatically sets the
Scene Mode to either Scenery, Portrait, Close-up, Night Portrait or Night
Scenery. The camera judges it from the various detection results such as
focusing distance, inclusion of human face and brightness level of the
circumstance. You are free from annoying settings every time scene changes when
taking pictures with these most frequently used Scene Modes to get beautiful
results even before you know it.
Subject Detection--AF Tracking Simply focus on your subject, then press
the shutter button to activate AF Tracking. Even when you remove your finger
from the shutter button, the camera continues to automatically keep your moving
subject in focus. This keeps the focus sharp and blur-free when shooting active
children or pets, as well as when capturing sports scenes or subjects in a
moving object. It minimizes the shutter time lag so you won't miss those
spur-of-the-moment shots, and helps to give you truly beautiful photos always.
The user can activate all of these useful, convenient shooting-assist functions
by simply selecting iA mode. This makes the DMC-G1 the ultimate, super-versatile
automatic camera for capturing clear, beautiful, mistake-free photos with ease
despite its high quality image rendering capability as a system camera.
A Host of Creative Options
My Color Mode is a special option that gives free rein to the user's creativity.
In My Color mode you can freely adjust the color, brightness and saturation
parameters, while checking the Full-time Live View image to see how those
adjustments affect the picture. This makes it easier and more fun to create
interesting, expressive images. Adjust the settings that best suit the shooting
conditions and your expressive intent, and then enjoy your own photography.
Furthermore, the DMC-G1 provides options of picture taste with the function
called Film Mode. Each analog film has its characteristics such as with color,
contrast, gradation and which affects on the outcome of the picture, in other
words, it is one of the ways of expression. With the DMC-G1, the Film Mode
allows you to choose the one that takes the best advantage of the scene or the
subject you take out of a total of nine film modes including Standard, Dynamic,
Nature, Smooth, Nostalgic, Vibrant, Standard B/W, Dynamic B/W and Smooth B/W,
with capability of fine adjustment of contrast, sharpness, saturation and noise
reduction. Users can also shoot the same scene in 3 different films using the
new Multi Film mode. All these settings can be confirmed before you take the
picture and the result is always as you intended.
The Full-time Live View lets the users check the outcome image in advance after
adjusting the shutter speed, aperture or white balance. The white balance can be
adjusted in the area of two-axis of coordinates precisely. And also the white
balance bracket in 3 pictures either along with A(amber)-B(Blue) axis or
G(Green)-M(Magenta) axis is now available for G1.
High
Image Quality as an Interchangeable Lens System Camera The 4/3-type
12.1-megapixel Live MOS sensor featured in the DMC-G1 offers the best of both
worlds--the superior image quality of a CCD sensor, and the lower power
consumption of a CMOS sensor. New technology that makes it possible to read 4
channels of data simultaneously also helps the G1 deliver 60 frames-per-second
Full-time Live View images, while faithfully reproducing high-resolution images
with fine detail and rich gradation.
For the image processing LSI, the new Venus Engine HD features exceptionally
advanced signal processing capabilities. This sophisticated LSI separates
chromatic noise from luminance noise and applies the optimal noise reduction to
each, so you capture clear and beautiful images even when shooting at high ISO
sensitivity levels. The Venus Engine HD also provides independent gradation
control for each of the R, G and B colors, so even delicate color nuances are
reproduced faithfully. Linking smoothly with the Live MOS sensor, the Venus
Engine HD records stunning high-resolution 12-megapixel images with exceptional
accuracy. Signals containing a large amount of image data are sent from the Live
MOS sensor to the high-resolution Live View Finder, resulting in the 1.44
million-dot equivalent sharp clear images at 60 fps. The Venus Engine HD also
supports an extensive range of functions, including HDMI output.
If dust or other foreign matter gets inside the camera when you're changing
lenses, it could cling to the image sensor and show up as a spot in your photos.
The Dust Reduction System in the LUMIX DMC-G1 helps eliminate this possibility
by placing a supersonic wave filter in front of the Live MOS sensor. Vibrating
around 50,000 times per second, the filter repels dust and other particles.
Superb Expandability for More Fun
The DMC-G1 and LUMIX G Micro System is compatible with any interchangeable lens
that complies with the Four Thirds Standard. This gives you access to the entire
range of Four Thirds lenses. And a stream of new Micro Four Thirds lenses will
be announced in the future, giving you a large, diverse line of high-performance
lenses to add to your photographic toolbox. With the LUMIX G Micro System and
the growing assortment of lenses becoming available, your expressive
possibilities are unlimited. The DMC-G1 is a system camera with a wide variety
of options to choose from to match your shooting situations and style.
High-Definition Networking
The G1 has an HDMI output terminal. When the G1 is connected to an
HDMI-compatible TV via an HDMI mini cable (purchased separately), the user can
easily enjoy a slideshow of photos taken with the G1. When the G1 is connected
to a VIERA TV that has VIERA Link capability, the TV's remote control unit can
be used to run the slideshow.
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| |
Other Convenient Features
When using the G1 in manual focus mode, the frame will automatically enlarge by
around 5x or 10x (magnification can be altered by the front dial) for easy
viewing in the Live View Finder or high-resolution LCD with Manual Assist
function. This lets the user frame the shot with greater ease and accuracy. The
movable guide lines make it easy to check the horizontal and vertical
positioning of the subject and scene, no matter how the shot is being composed.
The Quick Menu has further evolved as an interface in the G1. The newly enhanced
menu screen makes it easier to use the G1's advanced functions, while simply
rotating the turn-and-push device (front dial) lets the user select and enter
settings with a single finger, without having to look away from the viewfinder.
Most settings can be made in this way. The new My Menu tab automatically stores
the five most recently used menu items, for quick, easy retrieval. The custom
setting function can also be used to register a shortcut for a frequently used
function; the function can then be activated by pressing the Down button of the
cursor key. The color of the LCD information display screen can be changed in
three colors. These features make the G1 easier to operate while also giving the
user a way to customize his or her camera.
About the Lumix G Micro System
Panasonic is pleased to announce a brand-new digital interchangeable lens camera
system--the LUMIX G Micro System. It is based on the new Micro Four Thirds
System standard that greatly reduces camera size and weight to further enhance
the inherent advantages of the original Four Thirds System standard for digital
interchangeable lens cameras.
The world market for digital interchangeable lens cameras continues to grow at a
steady pace, yet there is a widespread notion that digital SLR cameras are
large, heavy and hard to use resulting in a preference for compact cameras.
Panasonic has now made it possible to develop digital interchangeable lens
camera that comply with the new Micro Four Thirds System standard and feature
greater compactness and lighter weight, based on a concept of further extending
the possibilities of the Four Thirds System standard. The new Micro Four Thirds
System products will join today's Four Thirds System products to provide
customers with even higher levels of performance in a digital interchangeable
lens camera.
The features that clearly set the Micro Four Thirds System standard apart from
the Four Thirds System standard: approx. 50 percent shorter flange back distance
(mount-to-sensor distance), approx. 6mm smaller lens mount outer diameter and
electrical contacts in mount increased from 9 to 11. In essence, not only the
camera unit but also the Micro Four Thirds lenses are smaller, and this is
particularly true for the wide-angle and high-power zoom lenses. The number of
electrical contacts between the lens and the camera body is also increased in
the new Micro Four Thirds System, to allow a variety of new features and system
functions in future models. The Micro Four Thirds System will also allow users
to continue using their present Four Thirds System lenses on Micro Four Thirds
System bodies by adding a mount adapter. Together with an innovative mirror-less
structure that also dramatically downsizes the camera body, the LUMIX G Micro
System achieves a dramatic portability and ease of use by an adoption of
electronic Full-time Live View Finder instead of conventional optical
viewfinder.
Combining superb image quality and unprecedented mobility, LUMIX G Micro System
will change the way you see the world around you, and the role that photography
plays in your life. Panasonic is committed to creating a new photographic
culture by introducing innovative, high-performance cameras and lenses for this
new generation standard.
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|
Sensor |
• 4/3 type MOS
('Live MOS sensor')
• 13.06 million total pixels
• 12.11 million effective pixels
• RGB (Primary) color filter array |
|
Image sizes |
• 4000 x 3000 (4:3)
• 2816 x 2112 (4:3)
• 2048 x 1536 (4:3)
• 4000 x 2672 (3:2)
• 2816 x 1880 (3:2)
• 2048 x 1360 (3:2)
• 4000 x 2248 (16:9)
• 2816 x 1584 (16:9)
• 1920 x 1080 (16:9) |
|
Aspect ratios
|
• 4:3
• 3:2
• 16:9
|
|
File formats
|
• RAW
• RAW + JPEG Standard
• RAW + JPEG Fine
• JPEG (EXIF 2.2) - Standard
• JPEG (EXIF 2.2) - Fine |
|
Lenses |
• Micro Four
Thirds mount lenses
• Four Thirds mount lenses via adapter
(DMW-MA1PP)
Autofocus only available with:
- Olympus Zuiko 25 F2.8 'Pancake'
- Olympus Zuiko Digital ED 14-42mm F3.5-5.6
- Olympus Zuiko Digital ED 40-150mm F4-5.6
- Panasonic Leica D Summilux 25mm F1.4 ASPH
- Panasonic Leica D Vario-Elmar 14-50mm F3.8-5.6
ASPH. Mega OIS
- Panasonic Leica D Vario-Elmar 14-150mm
F3.5-5.6 ASPH. Mega OIS
|
|
Focus modes
|
• Auto Focus
• Manual focus
• Face Detection
• AF Tracking
• 23-Area-Focusing/1 Area Focusing |
|
AF assist lamp
|
Yes, dedicated
lamp |
|
Image
stabilization |
Optical Image
Stabilization |
|
Extended optical
zoom |
Yes |
|
Digital zoom
|
• Up to 4x
|
|
Exposure modes
|
• Program AE
• Aperture priority AE
• Shutter priority AE
• Manual
• Auto
|
|
Scene modes
|
• Portrait
• Soft Skin
• Outdoor Portrait
• Indoor Portrait
• Creative Portrait
• Scenery
• Nature
• Architecture
• Creative Scenery
• Sports
• Outdoor Sports
• Indoor Sports
• Creative Sports
• Flower
• Food
• Objects
• Creative Close-Up
• Night Portrait
• Night Scenery
• Illuminations
• Creative Night Scenery
• Sunset
• Party
• Baby 1,2
• Pet |
|
Sensitivity |
• Auto
• Intelligent ISO
• ISO 100
• ISO 200
• ISO 400
• ISO 800
• ISO 1600
• ISO 3200 |
|
Metering range |
0 to 18 EV |
|
Metering modes
|
•
Multiple-Weighted
• Center-Weighted
• Spot |
|
AE Lock |
• AEL/AFL button
• With shutter release half-press |
|
AE Bracketing |
• 3 frames
• 1/3 to 2.0 EV steps |
|
Exposure steps |
1/3 or 1.0 EV
|
|
Exposure
compensation |
• -3.0 to +3.0 EV
• 1/3 EV steps |
|
Shutter speed
|
• 60 -1/4000 sec
• Bulb (up to 8 mins)
• Flash X-sync 1/160 sec |
|
White balance
|
• Auto
• Daylight
• Cloudy
• Shade
• Halogen
• Flash
• Custom 1
• Custom 2
• Kelvin temp (2500 - 10000 K, 100K steps)
|
|
WB fine tuning
|
Yes (blue/amber
bias, magenta/green bias) |
|
WB Bracketing |
• 3 shots
•+/-1 to +/-3 in either blue/amber or
magenta/green axis |
|
Color space
|
• sRGB
• Adobe RGB |
|
Image parameters |
• Color mode
(Standard, Dynamic, Nature, Smooth, Vibrant,
Nostalgic)
• Saturation (5 levels)
• Contrast (5 levels)
• Sharpness (5 levels)
• Noise reduction (5 levels)
• Monochrome (Standard, Dynamic, Smooth)
• My Film (2 memories) |
|
Drive modes
|
• Single
• Continuous H (3 fps)
• Continuous L (2 fps) |
|
Continuous buffer
|
• 7 RAW images
• Unlimited JPEG images with a fast card |
|
Self-timer |
• 2 sec
• 10 sec
• 10 sec, 3 images |
|
Flash |
• Manual pop-up
• TTL auto / manual
• Guide no. 10.5 (ISO 100, m)
• Sync modes: Auto, On, Off, Red-eye reduction,
Slow syncro with red-eye reduction, Slow syncro
• Flash power: Up to +/- 2EV in 1/3 EV steps |
|
Flash X-sync speed
|
1/160 sec
|
|
External flash |
• Hot shoe
• TTL Auto with FL220/FL360/FL500 (Optional)
|
|
Viewfinder |
• Electronic
Viewfinder
• Color LCD Viewfinder
• Field of view 100%
• Eye point 14 mm at -1 dioptre
• Magnification 1.4x (equivalent to 0.7x on a
35mm camera / 50mm lens)
• Dioptre adjustment -4 to +4 dioptre
• 1,440,000 dots
• Field Sequential (RGB) |
|
DOF preview
|
Yes |
|
Orientation sensor
|
Yes |
|
LCD monitor |
• 3.0" TFT LCD
monitor
• Multi-angle swing and tilt (180°swing, 180°
swivel)
• Low temperature Polycrystalline TFT LCD
• 460,000 dots
• 60 fps
• Approx 100% frame coverage
• Auto Power LCD (optional) adjusts brightness
in bright light |
|
Playback functions
|
• Single
• Magnify (2 - 16x)
• Index (4-25 frames)
• Calendar view
• Resize
• Trimming
• Aspect Conversion |
|
Connectivity |
• USB 2.0 (High
Speed)
• Video Out (NTSC / PAL)
• Wired remote control DMW-RSL1 (optional)
• HDMI |
|
Print compliance
|
• PictBridge
• DPOF |
|
Storage |
SD / SDHC / MMC |
|
Power |
• 1250 mAh 7.2v
Lithium-Ion rechargeable battery
• Supplied charger / AC adapter |
|
Dimensions |
124 mm x 84 mm x 45 mm
|
|
Weight (camera
body) |
Approx. 380 g |
|
Weight (inc
supplied lens, card and battery) |
Approx 630 g |
|
|
| |
- Panasonic Lumix DMC-G1 BLACK
- Lumix G Vario 14 - 45 mm F3.5 - F5.6
ASPH.Mega OIS lens
- Lithium-Ion battery pack
- battery charger
- AC cable
- Video cable
- USB connection cable
- Software CD
- Strap
- Lens hood
- Lens cap
- Lens rear cap
- Lens storage bag
- Body cap
- Manuals
 |
 |
| |
- BRAND
NEW. IN ORIGINAL RETAIL BOX.
COMES WITH ALL LISTED ACCESSORIES
& 90 DAYS DIRECT GUARANTEE BY SELLER. |
| |
 |
| |
-
Monday - Friday: 10:00 - 20:00 GMT |
|
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