MUSIC MUSICIAN THEORY LEARN TRAINING COURSE MANUAL CD

Box shown for illustration only Music Theory Training Course   AUTORUN CD WITH MENU You will receive a professional autorun CD with menus and instructions, making it simplicity itself to access your purchase - other sellers will often provide a jumble of files haphazardly burned to CD ON YOUR CD Music Theory Course & Notation Software 4 Volume Set       DETAILED CONTENTS   Music Theory (239 pages) Chapter  1 - Nature of Sound Characteristics of Musical Sound   Chapter 2 - Fubdamental Notatio Notation of Pitch, Notation of Duration   Chapter 3 - Meter The Beat, Meter or Time Signature, Composite Meter,Metrical Stress Exceptions Chapter  4 - Rhythm Regular Rhythm, Irregular Rhythm, Rhythmic Phrase Initiation      and  Completion, Related Meters, Equivalent Meters Chapter  5 - Scales and Tetrachords Scales, Tetrachords, Scale Construction Using Tetrachords Chapter 6 -  Major Scales  Sharp Scales, Flat Scales, Keys and Major Key Signatures, Circle of  Major Keys, Enharmonic Keys, Names of Scale Degrees, Scale Degree Activity in Major. Chapter  7 - Minor Scales Natural Minor Scale, Harmonic Minor Scales and Keys,odic Minor Scales and Keys, Circle of Minor Keys,  Relative and Parallel Keys Chapter  8 - Modal Scales Lydian, Ionian, Mixolydian, Dorian, Aeolian, Phrygian, Locrian, Comparison of Modal Scale Degrees to Major Scale Degrees Chapter  9 - Chromatic, Whole Tone, and Pentatonic Scales Chromatic Scale, Whole Tone Scale, Pentatonic Scales Chapter 10 - Intervals Qualities of Intervals, Interval Quality Relationships,  Enharmonic  Intervals, Inversion of Simple Intervals,  Compounding and Reducing Intervals, Consonant and  Dissonant Intervals, Diatonic  and Chromatic Intervals Chapter 11 - Triadic Chords Major Triad, Minor Triad, Augmented Triad, Diminished  Triad, Consonant and Dissonant Triads, Inversion of Triads,  Diatonic Triads in Major and Minor Keys Chapter 12 - Overtone Series Characteristics of a Vibrating String, The Overtone Series,   The Overtone Series and Timbre Chapter 13 - Transposition Transposition by Scale Degree, Transposition by Interval, Transposition by Change of Key Signature Chapter 14 - Instruments  Woodwinds, Transverse Woodwinds, Double Reed  Instruments, Single Reed Instruments (Clarinets,  Saxophones), Brasswinds (Treble Clef Brass, Bass Clef  Brass), Percussion (Indefinite Pitch  Percussion, Definite Pitch Percussion), Keyboard, Rhythm Section Stringsh Chapter 15 - Chord Symbols  Chord Symbol Interpretation, Chord Structures Chapter 16 - Chord Scales Major Sixth and Major Seventh Chord Scales, Minor Sixth and Minor/Major Seventh Chord Scales, Dominant Seventh Chord Scales, Minor Seventh Chord Scales, Minor Seventh (Flat Five)  Chord Scales, Augmented Seventh Chord Scales, Diminished  Seventh Chord Scales, The Blues Scale, Pentatonic Scales Chapter 17 - Swing Rhythm Anticipation, Divided Beat in Swing Time, Short PercussiveNote,  Long Percussive Note Chapter 18 - Melody Construction Chord Tones, Approach Tones Chapter 19 - Extended and Altered Chords The Ninth, The Eleventh, The Thirteenth, Specified Bass Note Appendix A - Manuscript Techniques Clef Signs, Key Signatures, Time Signatures, Leger Lines, Noteheads, Stems, Flats, Beams, Dots, Spacing, Ties, Slurs, Rests, Numerals, Repeat Signs, Accidentals, Directions for Performance, Rehearsal Signs, Proofreading Appendix B - Directions for Performance Musical Abbreviations, Melodic Ornaments, Articulations and Accents, Jazz Expressive Devices, Tempo Indications,Dynamic Indications, Italian Terms (Three Lists) Appendix C - Italian Terms Explanation of Suffixes, Listing Music Theory II (61 pages) Form in Music with List of Terms Media Conducting for Instrumentalists   Harmony (109 pages) Chapter 1 - Introduction Principles of Writing Scale Degree Function Primary and Secondary Triads Voices Chapter 2 - Melody Writing Melody Types of Motion Melody Guidelines Form Rhythmh Chapter 3 - Vertical Structures Position Adjacent Voice Spacing Low Interval Limitsh Chapter 4 - Voice Motion Voicing Indirect Motion Direct Motion Objectionable Motion Chapter 5 - Root Position Primary Triads Connecting Primary Triads Doubling Key Establishment Analysis and Figured Bass Cadences Chord Successionh Chapter 6 - Inversions of Primary Triads First Inversion Chord Succession Second Inversion Types of Second Inversionsh Chapter 7 - Dominant Seventh Chords Tritone Resolution Approaching the Seventh Figured Bass and Doubling Chord Succession h Chapter 8 - Non-Harmonic Tones Figured Bass Diatonic Passing Tone Accented Passing Tone Chromatic Passing Tone Double Passing Tone (melodic) Chromatically Altered Passing Tone Upper Auxiliary Changing Tones Cambiata Échappée Suspension Appoggiatura Anticipation Pedal Simultaneous Non-Harmonic Tones Chordal Sevenths Voicingh Chapter 9 - Secondary Triads Chord Progression Group 1 Group 2 Group 3 Group 4 Figured Bass Leading Tone Triad Common Function Succession Supersonic Triad Submediant Triad Mediant Triad Subtonic Triad Subtonic Scale Degreeh Chapter 10 - Diatonic Seventh Leading Tone Seventh Supersonic Seventh Subdominant Seventh Submediant Seventh Mediant Seventh Tonic Seventh Subtonic Seventh Diatonic Seventh Sequenceh Chapter 11 - Extensions on Diatonic Chords Major Ninth Minor Ninth Eleventh Thirteenthh Chapter 12 - Simple Modulation Keys Pivot Chord Establishing Keysh Chapter 13 - Secondary Chords Analysis Secondary Dominants V/V-V7/V V7/IV-V/iv-V7/iv V/ii-V7/ii V/vi-V7/vi-V7/VI V/iii-V7/iii-V/III-V7/III V/VII-V7/VII Secondary Leading Tone Chordsh Chapter 14 - Borrowed Chords Borrowed Chords Borrowed from Minor Borrowed from Majorh Chapter 15 - Chromatic Alterations Raised Fifth Lowered Fifth Raised Rooth Chapter 16 - Augmented Sixth Chords Italian French Germanh Chapter 17 Neapolitan Sixth Chordh Chapter 18 Advanced Modulation Diatonic to Diatonic Diatonic to Chromatic Chromatic to Diatonic Chromatic to Chromatic Enharmonic Modulation Change of Mode Ear Training Manual for Musicians (91 pages) Chapter 1 Section I - The Divided Beat in Simple Time Section II - The Major Triad in Numeral Notation Chapter 2 Section I - The Divided Beat in Compound Time Section II - The Major Triad in Staff Notation Chapter 3 Section I - The Subdivided Beat in Simple Time Section IIA - The Minor Triad in Numeral Notation Section IIB - The Minor Triad in Staff Notation Chapter 4 Section I - The Subdivided Beat in Compound Time Section II - Major and Minor Scale Activities Chapter 5 Section I - Syncopation Involving Beat and Divided Beat in Simple and Compound Times Section II - Intervals and Triads Chapter 6 Diatonic Major and Minor Melodies in Simple and Compound Times with Divided Beat and Leaps of Thirds in Tonic Triad. Chapter 7 Diatonic Major and Minor Melodies in Simple and Compound Times with Subdivided Beat and Leaps of Thirds and Fourths. Chapter 8 Diatonic Major and Minor Melodies in Simple and Compound Times with Syncopation and Leaps of Thirds, Fourths, Fifths, Sixths, and Octaves Chapter 9 Non Diatonic Melodies in Simple and Compound Times with Divided Beat, Subdivided Beat, and Syncopation. Melodies Contain Leaps of Thirds, Fourths, Fifths, Sixths, and Octaves Appendices Time Beating Patterns Counting System Performance Procedures Performance Guidelines Training Course System requirements Compatible with Windows  2000, ME, NT, XP and Vista    Music Notation Software Every musician prefers reading beautiful music - this software produces just that -  it prints music in the best traditions of classical engraving with minimum fuss    Don't waste time on tuning spacing, moving around symbols, or shaping slurs  Impress friends and colleagues with sharp sheet music! An automated engraving system Formats music beautifully and automatically Has  a friendly syntax for its input files Gets the formatting correct right from the start Determines spacing by itself, and breaks lines and pages to provide a tight and uniform layout Clashes between lyrics, notes, and chords are resolved and slurs and beams are sloped,  automatically! Excellent classical engraving All style settings, font designs and algorithms have been inspired by the finest hand-engraved music Output has that same strong and balanced look as a classical score  User manual, tutorial and examples included Muisc Notation Software System requirements Compatible with Windows  2000, ME, NT, XP (not Vista)     SYSTEM REQUIREMENTS See each item for compatibility                     YOUR CD You will be sent a professionally printed and prepared CD. You will not receive a box; this is shown simply for illustration purposes only. All CDs are electronically scanned fro viruses before despatch. Training Courses are if PDF format - Adobe Reader is available as a free download to view them if you don't already have it     MY ITEMS I specialise in Open Source software and information products, everything I sell I have the legal right to sell by virtue of the MPL or GPL licensing system. You will receive the full, working version  which is not time or function restricted and is yours to use without any on-going fees   COPYRIGHT The CD is Copyright protected. I am registered with the eBay VeRO programme and duplication of my work is not permitted, breaches will be pursued vigorously     DESPATCH All items are sent either the same, or next, business day via Royal Mail or Airrmail from the UK.   MONEY-BACK GUARANTEE All items come with an unconditional 30 day money back guarantee. If within 30 days of receipt of your item you are unhappy for whatever reason then you are welcome to return the item to me for a full no-quibble refund Frequently Asked Questions Q: Are any of your items time or function limited in any way or just trials? A: All items are fully functioning as described above with all features as listed Q: Are these any further or on-going fees after I get my item? A: No. There are is nothing else extra whatsoever to pay. You get your CD, it has all the functions exactly as described forever with no further payment required. Q: Will I receive a CD and a box? A: You will receive a CD, but you will not receive a box - the box is shown for illustration purposes only Q: Can I install your software on more then one computer? A: Yes, that is the very beauty of Open Source software - you do not have the normal restrictions or expense of other software manufacturers Q: Is that legal? A: Yes, absolutely. The software is distributed under a licencing scheme that not only permits it but encourages it! Q: What format are your training courses? A: All training courses are in PDF format that you view on your computer. If you don't already have it free software is available to view the files at: http://www.adobe.com/products/reader/

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