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Item:MUSIC MUSICIAN THEORY KEYBOARD TRAINING COURSE CD BOOK

MUSIC MUSICIAN THEORY KEYBOARD TRAINING COURSE CD BOOK

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Item number:260501500156
Item location:UK, United Kingdom
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Music Thoery Training Course + Notation Software

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Music Theory Course Manuals + Music Notation Software

 

           Box for illustration only

OS Software

1
Music Theory 239 pages
2
Music Theory II - 61 pages
3
Music Harmony - 109 pages
4
Music ear trainining - 91 pages
5
Music Notation Software

 

 

Professional Auto-run CD Easy-use menu system

 

 

 

 

 

You Get:

1. Music Theory 239 pages
2. Music Theory II - 61 pages
3. Music Harmony - 109 pages
4. Music ear trainining - 91 pages
5. Music Notation Software
 

 

Viewing your training manuals(pdf format) and installing and using your software is simplicity itself with this professionally authored menu-driven install procedure - all you need to be able to do is drag 'n' drop and click your mouse! !

       

 

 

 

Music Theory (239 pages)

Chapter  1 - Nature of Sound 
      Characteristics of a Musical Sound
Chapter  2 - Fundamental Notation
      Notation of Pitch, Notation of Duration
Chapter  3 - Meter
      The Beat, Meter or Time Signature, Composite Meter, Metrical
      Stress Exceptions
h
Chapter  4 - Rhythm
      Regular Rhythm, Irregular Rhythm, Rhythmic Phrase Initiation  and
      Completion, Related Meters, Equivalent Meters
h
Chapter  5 - Scales and Tetrachords
      Scales, Tetrachords, Scale Construction Using Tetrachords
h
Chapte r 6 - Major Scales
      Sharp Scales, Flat Scales, Keys and Major Key Signatures, Circle of
      Major Keys, Enharmonic Keys, Names of Scale Degrees, Scale
      Degree Activity in Major.
 
Chapter  7 - Minor Scales
     Natural Minor Scale, Harmonic Minor Scales and Keys, Melodic
     Minor Scales and Keys, Circle of Minor Keys, Relative and Parallel Keys
h
Chapter  8 - Modal Scales
      Lydian, Ionian, Mixolydian, Dorian, Aeolian, Phrygian, Locrian,
      Comparison of Modal Scale Degrees to Major Scale Degrees
h
Chapter  9 - Chromatic, Whole Tone, and Pentatonic Scales
      Chromatic Scale, Whole Tone Scale, Pentatonic Scales
h
Chapter 10 - Intervals
       Qualities of Intervals, Interval Quality Relationships, Enharmonic
       Intervals, Inversion of Simple Intervals, Compounding and
       Reducing Intervals, Consonant and Dissonant Intervals, Diatonic
       and Chromatic Intervals
h
Chapter 11 - Triadic Chords
        Major Triad, Minor Triad, Augmented Triad, Diminished Triad,
        Consonant and Dissonant Triads, Inversion of Triads, Diatonic
        Triads in Major and Minor Keys
h
Chapter 12 - Overtone Series
        Characteristics of a Vibrating String, The Overtone Series, The
        Overtone Series and Timbre
h
Chapter 13 - Transposition
      Transposition by Scale Degree, Transposition by Interval,
        Transposition by Change of Key Signature
h
Chapter 14 - Instruments
        Woodwinds, Transverse Woodwinds, Double Reed Instruments,
        Single Reed Instruments (Clarinets, Saxophones), Brasswinds
        (Treble Clef Brass, Bass Clef Brass), Percussion (Indefinite Pitch
        Percussion, Definite Pitch Percussion), Keyboard, Rhythm Section Strings
h
Chapter 15 - Chord Symbols
        Chord Symbol Interpretation, Chord Structures
h
Chapter 16 - Chord Scales
        Major Sixth and Major Seventh Chord Scales, Minor Sixth and
        Minor/Major Seventh Chord Scales, Dominant Seventh Chord
        Scales, Minor Seventh Chord Scales, Minor Seventh (Flat Five)
        Chord Scales, Augmented Seventh Chord Scales, Diminished
        Seventh Chord Scales, The Blues Scale, Pentatonic Scales
h
Chapter 17 - Swing Rhythm
       Anticipation, Divided Beat in Swing Time, Short Percussive Note,
        Long Percussive Note
h
Chapter 18 - Melody Construction
       Chord Tones, Approach Tones
h h
Chapter 19 - Extended and Altered Chords
        The Ninth, The Eleventh, The Thirteenth, Specified Bass Note
h
Appendix A - Manuscript Techniques
         Clef Signs, Key Signatures, Time Signatures, Leger Lines,
         Noteheads, Stems, Flats, Beams, Dots, Spacing, Ties, Slurs, Rests,
         Numerals, Repeat Signs, Accidentals, Directions for Performance,
         Rehearsal Signs, Proofreading
h
Appendix B - Directions for Performance
         Musical Abbreviations, Melodic Ornaments, Articulations and 
        Accents, Jazz Expressive Devices, Tempo Indications, Dynamic
         Indications, Italian Terms (Three Lists)
h
Appendix C - Italian Terms
         Explanation of Suffixes, Listing
h
h
 

Music Theory II (61 pages)

      Form in Music with List of Terms
      Media
      Conducting for Instrumentalists
hh
 

Harmony (109 pages)

Chapter 1 - Introduction
Principles of Writing
Scale Degree Function
Primary and Secondary Triads
Voices
Chapter 2 - Melody Writing
Melody
Types of Motion
Melody Guidelines
Form
Rhythmh
Chapter 3 - Vertical Structures
Position
Adjacent Voice Spacing
Low Interval Limitsh
Chapter 4 - Voice Motion
Voicing
Indirect Motion
Direct Motion
Objectionable Motion
Chapter 5 - Root Position Primary Triads
Connecting Primary Triads
Doubling
Key Establishment
Analysis and Figured Bass
Cadences
Chord Successionh
Chapter 6 - Inversions of Primary Triads
First Inversion
Chord Succession
Second Inversion
Types of Second Inversionsh
Chapter 7 - Dominant Seventh Chords
Tritone Resolution
Approaching the Seventh
Figured Bass and Doubling
Chord Succession h
Chapter 8 - Non-Harmonic Tones
Figured Bass
Diatonic Passing Tone
Accented Passing Tone
Chromatic Passing Tone
Double Passing Tone (melodic)
Chromatically Altered Passing Tone
Upper Auxiliary
Lower Auxiliary
Changing Tones
Cambiata
Échappée
Suspension
Appoggiatura
Anticipation
Pedal
Simultaneous Non-Harmonic Tones
Chordal Sevenths
Voicingh
Chapter 9 - Secondary Triads
Chord Progression
Group 1
Group 2
Group 3
Group 4
Figured Bass
Leading Tone Triad
Common Function Succession
Supersonic Triad
Submediant Triad
Mediant Triad
Subtonic Triad
Subtonic Scale Degreeh
Chapter 10 - Diatonic Seventh
Leading Tone Seventh
Supersonic Seventh
Subdominant Seventh
Submediant Seventh
Mediant Seventh
Tonic Seventh
Subtonic Seventh
Diatonic Seventh Sequenceh
Chapter 11 - Extensions on Diatonic Chords
Major Ninth
Minor Ninth
Eleventh
Thirteenthh
Chapter 12 - Simple Modulation
Keys
Pivot Chord
Establishing Keysh
Chapter 13 - Secondary Chords
Analysis
Secondary Dominants
V/V-V7/V
V7/IV-V/iv-V7/iv
V/ii-V7/ii
V/vi-V7/vi-V7/VI
V/iii-V7/iii-V/III-V7/III
V/VII-V7/VII
Secondary Leading Tone Chordsh
Chapter 14 - Borrowed Chords
Borrowed Chords
Borrowed from Minor
Borrowed from Majorh
Chapter 15 - Chromatic Alterations
Raised Fifth
Lowered Fifth
Raised Rooth
Chapter 16 - Augmented Sixth Chords
Italian
French
Germanh
Chapter 17 Neapolitan Sixth Chordh
h
Chapter 18 Advanced Modulation
Diatonic to Diatonic
Diatonic to Chromatic
Chromatic to Diatonic
Chromatic to Chromatic
Enharmonic Modulation
Change of Mode
h
h

Ear Training Manual for Musicians (91 pages)

Chapter 1
Section I - The Divided Beat in Simple Time
Section II - The Major Triad in Numeral Notation
h
Chapter 2
Section I - The Divided Beat in Compound Time
Section II - The Major Triad in Staff Notation
h
Chapter 3
Section I - The Subdivided Beat in Simple Time
Section IIA - The Minor Triad in Numeral Notation
Section IIB - The Minor Triad in Staff Notation
h
Chapter 4
Section I - The Subdivided Beat in Compound Time
Section II - Major and Minor Scale Activities
h
Chapter 5
Section I - Syncopation Involving Beat and Divided Beat in
Simple and Compound Times
Section II - Intervals and Triads
h
Chapter 6
Diatonic Major and Minor Melodies in Simple and Compound Times
with Divided Beat and Leaps of Thirds in Tonic Triad.
h
Chapter 7
Diatonic Major and Minor Melodies in Simple and Compound Times
with Subdivided Beat and Leaps of Thirds and Fourths.
h
Chapter 8
Diatonic Major and Minor Melodies in Simple and Compound Times
with Syncopation and Leaps of Thirds, Fourths, Fifths, Sixths,
and Octaves
h
Chapter 9
Non Diatonic Melodies in Simple and Compound Times with Divided
Beat, Subdivided Beat, and Syncopation. Melodies Contain Leaps
of Thirds, Fourths, Fifths, Sixths, and Octaves
h
Appendices
Time Beating Patterns
Counting System
Performance Procedures
Performance Guidelines

 

 

Music Notation Software

 


 

Every musician prefers reading beautiful music - this software produces just that -  it prints music in the best traditions of classical engraving with minimum fuss

 

  •  Don't waste time on tuning spacing, moving around symbols, or shaping slurs

  •  Impress friends and colleagues with sharp sheet music!

  • An automated engraving system

  • Formats music beautifully and automatically

  • Has  a friendly syntax for its input files

  • Gets the formatting correct right from the start

  • Determines spacing by itself, and breaks lines and pages to provide a tight and uniform layout

  • Clashes between lyrics, notes, and chords are resolved and slurs and beams are sloped,  automatically!

  • Excellent classical engraving

  • All style settings, font designs and algorithms have been inspired by the finest hand-engraved music

  • Output has that same strong and balanced look as a classical score

 

User manual, tutorial and examples included

 

OS-Software
We only sell Open Source software or Public Domain items. We do not sell copied, cracked or hacked items. Our items are so cheap because the software developers give their time freely within the Open Source Community.  We are authorised to distribute this product under a Gnu Licence or Mozilla Public Licence, a copy of which is available on request

 

 
Copyright
 
© The CD, Autorun Menus and listing are Copyright of OS Software.Copying of the said items is strictly prohibited

 

Your CD
Your CD will be despatched to you either on the day of purchase or next business day.It will have easy-install auto-run menu driven options.The CD will be in a protective sleeve, it will not come in a box the image is for illustration purposes only.
 

B

B

Frequently Asked Questions

 

Software

Will I receive a physical product?

Yes, you will receive a professionally printed and authored CD in a paper sleeve but you will not receive a box - this is shown for illustration purposes only

Is your software an illegal or pirate copy?

No. All our software is 100% legal, no copyright has been breached. It is Open Source software distributed under either the Gnu Public Licence or Mozilla Public Licence.

Is your software a demo version or time limited or restricted in some other way?

No. You get the full working version which has no restrictions placed on it at all

Do I need to pay extra to register this software?

No. The price you pay is for the full working software, there are no additional or on-going fees to pay

Do you provide technical support?

No. It's not feasible for us to do that, we will however endeavour to assist if we can

Do you reduce the price for multiple purchases?

No. The price of the CDs and P&P is kept to an absolute minimum to make them affordable, we cannot discount our prices any further.

 

 

Training Courses

Will I receive a physical book / manual?

No. All our courses are in pdf (portable document format) which means you will receive your chosen course on CD.

Do I need additional software to view my course?

Yes. But if you don't have it already it's totally free to download and use (instructions will be supplied where to download the pdf viewer).

Is the Course an illegal copy?

No. All our courses are sourced from the Public Domain and we have full permission to reproduce and distribute them.

Do you reduce the price for multiple purchases?

No. The price of the CDs and P&P is kept to an absolute minimum to make them affordable, we cannot discount our prices any further.

 

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