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LONG TAILED BIRD BRONZE SCULPTURE FIGURINE FIGURE
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Description
This item selling in Upscale Art
Galleries and Museum galleries for up to $1500.00
- $2300.00 when it can be found. This is a sophisticated Piece,
perfect for any art
lovers home, office, or place of business. Don't miss your opportunity to own this wonderful
and rare piece, Buy it Now! Bid with confidence.
Think
Bronze, takes pride in our superb collection of museum quality
Bronze Statues, handpicked from the finest artistry using old world
standards around the globe. The attentions to the intricate details
of
these luxurious works of art are amazing and the brilliance of the
figures unsurpassed.
From
art Nuevo to art deco, wildlife nature to equestrian, classical to
contemporary, religious to renascence or nude, you will find a remarkable
assortment of diverse Art forms and sizes, coupled with undeniable
values makes Think Bronze a fantasy playground for art collector and lover in you.
This extraordinary piece depicts a beautiful representation of a long tailed
bird. There is a plethora of long tailed birds but this bird most closely
resembles the red-billed blue magpie. The Red-billed Blue Magpie, is a species
of bird in the crow family Corvidae. It is about the same size as the European
Magpie but has a much longer tail. The head, neck and breast are black with a
bluish spotting on the crown. The shoulders and rump are a duller blue and the
underparts are a grayish cream. The long tail is a brighter blue (as are the
wing primaries) with a broad white tip. The bill is a bright orange-red as are
the legs and feet and a ring around the eye. This red can vary across its range
to almost yellow in some birds. The Red-billed Blue Magpie occurs in a broad
swathe from the western Himalayas, eastwards into China and Vietnam in evergreen
forest and scrub in predominantly hilly or mountainous country. This statue is
crafted with exquisite life-like detail that is readily seen in the intricate
feathers of the animal. This piece has a great sense of atmosphere as seen by
the branches underneath the bird's large talons, giving us an awareness that he
is in the forest. This piece has been cast using the lost wax method, ensuring a
highly detailed sculpture that will add grace and beauty to your home.
Condition: This sculpture is in a very good condition. Bronze Dimensions with Marble Base:Height 13" x Width 21" Marble Dimensions: 8" X 6 1/2". Height without base: 12" Weight : 20 LBS Inventory: 8065M38908
The Art of Lost Wax
Lost wax casting has been around for thousands of years, yet few people understand how the process actually works.
Although mechanization has facilitated the lost wax process of bronze casting, the procedure is basically the same as that used by the Chinese when they first developed the process in the 2nd millennium BC.
The Rubber Mold
First the artist creates an original sculpture out of any number of media, including stone, wax, clay, wood and pottery.
This image is coated with a silicone rubber molding material that makes two rubber mold halves (each rubber mold has a front and a back piece). A fiberglass outer shell is added to the back of each mold so it retains its shape and rigidity during subsequent uses.
These molds are the only components that are ever re-used in the casting process. All other components are re-created for each casting.
The Wax Positive
Once the molds are done, the insides are coated with layers of wax. The halves are then bound together and wax poured inside to complete the wax image being created.
Once the wax has cooled, the mold is peeled away, yielding a wax image (the wax positive") duplicating the original sculpture.
This image must then be "touched -up" to remove any seam lines, scratches or other flaws, as well as to recreate any pattern or texturing that was lost or damaged when the wax was made.
The quality of the finished bronze relies on a clean, high quality mold and an impeccably recreated wax image that is as near to perfect as possible.
Gating
The next step, "gating", is the application of a series of tubes and funnels that allow the molten bronze to flow through to the bottom of the ceramic shell and the hot gases to escape at the same time.
These sprus are created by attaching wax rods to the finished wax form at strategically spaced locations.
Ceramic Shell Casting
After the gating is completed each wax form is dipped in a liquid ceramic silica-sand compound so it is completely coated inside and out. Holes called "patches" have been cut into the wax to allow an entrance to the inside of the form.
The form is subsequently dipped 6 to 12 or more times over a period of several days until the desired shell thickness is achieved.
Lost Wax
Once these ceramic shells have dried thoroughly the pieces are placed into an autoclave and the wax is melted out (hence the term "lost wax"), to be reclaimed and used again. The shells are then cured in a kiln so they will withstand the temperature of the molten bronze being poured into them.
The Pour
Bronze ingots are melted to a temperature of approximately 2000°F and poured into the cured ceramic shells.
As the sculpture cools the ceramic shell begins to pop away from the bronze.
This shell will be completely broken away, using a hammer and chisel, before the superfluous metal materials are cut away.
Sandblasting
The casting is then sandblasted in preparation for metal finishing.
Any pieces of a sculpture that were cast separately are welded back onto the sculpture and any seam lines or other imperfections are removed or "chased".
Texturing
Finally, any texturing that was lost or damaged in the casting or welding process is recreated.
The sculpture is then polished in preparation for application of the patina.
Patinas
The different colored finishes that are possible on cast bronze sculptures are called patina's.
The various colors, patterns and textures obtained in the patina process are achieved through a combined application of chemicals and heat, augmented by hand stippling, or spraying with an air brush, and sealed with lacquer and waxes.
Limited Editions
Most bronzes are part of a "limited edition" containing a fixed number of castings.
This edition number is decided by the artist, usually after the first piece has been cast, and individually stamped on each piece (i.e. 1/100) thus concluding the process of bronze sculpture production.
Our Return Policy
We're certain you'll be happy with your merchandise. We take extra care to fully describe our items, including any flaws. If you have any questions about the item(s) you are ordering, please use our question form to ask us about the item before placing your order.
If that rare occasion arises where you feel you must return an item, please contact us at Return@thinkbronze.com for return instructions within Fifteen (15) days (by phone or email) of receipt of your item(s). Upon our receipt and inspection of the returned item(s), we will issue a refund for your item(s) if returned in the same condition as sent to you, excluding any shipping/insurance costs for which you were responsible. Buyer is responsible for return shipping/insurance costs, which will not be reimbursed for any reason. Returned merchandise must be received by us within seven (7) days of the date from which you contact us regarding the return.
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We will email instructions on giving us credit card info in your winning buyer email. Checkout must be completed within 7 days of the close of auction, and all PayPal payments must be made within this time period. If payment isn't received within these time periods, non payment will be filed. All items are not available for purchase after 14 days. There is an 8.375% sales tax for New York residents. If you have any questions, please email us.
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