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Description
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  |  |  |  | | Leftism | | Item Specifics - Music: CDs | | | Artist: | Leftfield | | Release Date: | 03 Oct 1995 | | | Format: | CD | | Record Label: | Columbia (USA) | | | Genre: | DJ, Dance | | UPC: | 074646723128 | | | Sub-Genre: | -- | | Album Type: | Full-Length CD | | | | | Condition: | Used | | | |
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| Portions of this page Copyright 1948 - 2008 Muze Inc. All rights reserved.
 Additional information |
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1995 cd album on Hard Hands HANDCD2.
11 tracks.
Excellent condition.
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Shipping & Handling.
UK:$3.00
EUROPE:$5.00
USA/WORLD:$7.00
POSTAGE DISCOUNTS FOR MULTIPLE PURCHASES PLEASE ASK.
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 |  |  | | Additional Information about Leftism Portions of this page Copyright 1948 - 2008 Muze Inc. All rights reserved.
| Track listing | 1. Release The Pressure 2. Afro-Left 3. Melt 4. Song Of Life 5. Original 6. Black Flute 7. Space Shanty 8. Inspection (Check One) 9. Storm 3000 10. Open Up 11. 21st Century Poem
| | Details | | Contributing artists: | Danny Red, Earl Sixteen, John Lydon, Papa Dee, Toni Halliday | | Producer: | Leftfield | | Distributor: | Sony Music Distribution ( | | Recording type: | Studio | | Recording mode: | Stereo | | SPAR Code: | n/a |
| | Album notes | Leftfield: Neil Barnes, Paul Daley. Additional personnel: Earl Sixteen, Papa Dee, Djum Djum, Toni Halliday, Danny Red, John Lydon, Lemn Sissay (vocals); Kevin Haynes (berimbau). Engineers: Joe Gibb, Adam Wren, Ollie J., Simon Duffy. Recorded at Rollover Studios, London, England. With Leftism, Leftfield made the crossover of techno into the pop mainstream two years before the likes of the Chemical Brothers. Embarking on a series of high-profile collaborations, they introduced to the charts a musical manifesto that had been popular in the clubs for years - including ambient ('Song Of Life'), pure techno, ragga, African tribal chants ('Afro-Left') and the all-important remix. The pumping, snarling 'Open Up', featuring John Lydon, predated the Prodigy in its blend of punk and dance, and 'Original', with Curve's Toni Halliday, ironically inspired a multitude of imitators. Most of these tracks have become ubiquitous through mainstream television and film, and it is easy to forget that, before Leftfield, techno music had only rarely stepped outside clubland.
| | Editorial reviews | Included in Q's 50 Best Albums of 1995 - ...Britain's most comfortably at-home dance record yet... Q (02/01/1996)
Ranked #13 on Melody Maker's list of 1995's 'Albums Of The Year' - A clean, modernist classic....Future dance at its most visionary and accessible... Melody Maker
Ranked #28 in NME's 'Top 50 Albums Of The Year' for 1995 - ...encompasses South American percussion, dub, the icy techno-goth tonsils of Toni Halliday and Lydon's fearsome apocalyptic warbling. NME
Included in Q Magazine's 90 Best Albums Of The 1990s. Q (12/01/1999)
Ranked #34 in Q's 100 Greatest British Albums Q (06/01/2000)
Included in AP's 10 Essential Dance Albums That Rock - ...The mood varies throughout, but the apocalyptic message still burns through. Alternative Press (05/01/2000)
...Leftfield takes a decidedly eclectic approach to dance music, drawing from a variety of influences instead of relying on a single style. Not only does that keep the groove from becoming predictable, but it allows the band to indulge a wide range of musical moods... Musician (11/01/1995)
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